Birdie GAiSwing Analysis
Pitching Wedge · Full Swing Analysis

André Rennes

A frame-by-frame review of the pitching wedge swing from the October 28, 2026 session at Mariners, filmed down-the-line from behind the hands and slightly elevated, with the ball-flight readout from the range screen. It is the third pitching wedge report and the first with ball data. It closes with simple next steps.

PlayerAndré Rennes (right-handed)
ClubPitching Wedge · report #3
LocationMariners Point Golf Center, Foster City, CA
Footage1 swing · down-the-line + range screen
Session dateOctober 28, 2026

1 Executive summary

Bottom line: a steady, repeatable wedge. 115 yards total, 113 carry, and 89.2 mph of ball speed, which is above the LPGA Tour pitching wedge average (86 mph). Carry beats the LPGA average (107 yds) by 6 yards; the PGA Tour carries 136. The flight is high: a 28° launch (tours: 24.0° and 24.2°), a 79 ft (26 yd) apex and a 47° landing, so the ball stops fast, with only 2 yards of roll. This is the first pitching wedge report with ball data, so these numbers are the new baseline to beat.

The swing itself is clean where it counts. The hips stayed on the tush line (0.1 in gap at impact), the hands returned to within 0.4 in of their address spot, and the tempo is 2.5:1, inside the good band. The one watch item is the head, about 4.0 in lower at impact, and most of that drop is already there at the takeaway (3.8 in). The hips also rise about 1.2 in through impact. This is report 3 of 10 for the pitching wedge.

Strength

Hips and hands

Hips stay on the tush line (0.1 in), hands back at address within 0.4 in, ball speed 89.2 mph above the LPGA average.

Priority 1

Hold head height

The head is about 4 in lower than at address by the takeaway and stays there. Setting the posture first, then keeping the cap on its line, keeps the low point steady.

Priority 2

Stay in posture

The hips rise about 1.2 in by impact. Keeping the knee flex through the ball keeps the club on the same path every time.

2 Ball flight — range screen

Range screen readout
MetricAndré (PW #3)LPGA Tour avgPGA Tour avg
Ball speed89.2 mph86 mph102 mph
Club speed (estimated)~64–65 mph70 mph83 mph
Carry113 yds107 yds136 yds
Flat carry———
Total115 yds——
Launch angle28°24.0°24.2°
Apex79 ft (26 yds)23 yds29 yds
Landing angle47°48°52°
Curve15 ft left——
Hang time5.2 s——
Proximity79 (unit not legible)——

The earlier two pitching wedge reports had no ball data, so there is nothing to compare with and no ★ to award yet. Glare hides most tile labels on the screen, so flat carry is left blank and the proximity unit is unclear. Club speed isn't on the screen: at a typical iron smash of ~1.38–1.40, 89.2 mph of ball speed means about 64–65 mph of club speed. This is a rough estimate, since a wedge usually has a lower smash, which would mean a higher club speed. The ball could not be tracked in the video: at 30 frames per second it is gone between two frames after impact. Filming in slow motion (120 or 240 fps) would let the start direction be measured.

What it means: Ball speed is 3 mph above the LPGA average and the carry is 6 yards longer. The 28° launch and 26-yd apex make a flight higher than the LPGA average, and the 47° landing is almost the same as the LPGA 48°, so the ball lands soft and stops fast. Spin isn't on the screen, so nothing can be said about it. The 15 ft left curve is small.

3 Timing & tempo — measured from the video

30 frames per second, so each time is accurate to about ±0.03 s. The backswing starts at frame 107 (4.37 s), the top is at 4.87 s and impact is at about 5.07 s.

GroupBackswingDownswingRatio
André (PW #3, Oct 28 session)~0.50 s~0.20 s~2.5:1
André (PW #2, Oct 11)~0.60 s~0.22 s~2.8:1
André (PW #1, Sep 19)~0.63 s~0.28 s~2.2:1
André (9-Iron #1, Oct 28)~0.60 s~0.40 s~1.5:1
PGA Tour (Tour Tempo, "24/8")~0.80 s~0.27 s3:1

Tour figure: John Novosel, Tour Tempo. One frame either way moves the ratio between ~2:1 and ~3.2:1.

What it means: The ratio of 2.5:1 sits at the edge of the good band. It is quicker overall than the earlier wedge swings: the downswing (0.20 s) is the fastest of the three and the backswing (0.50 s) the shortest. The 9-iron from the same session was 1.5:1, so the wedge rhythm is already better. A touch more time at the top would move it toward 3:1.

4 The reference frame — how this swing was measured

Reference frame
  • Grid scale: each square is about 5 inches (about 69 px). It is scaled from the 4 x 4 ft hitting mat, since his height wasn't available, so treat distances as ±1 inch.
  • Center lines: a vertical line through the center of his stance (feet) and a horizontal line through the ball line are fixed references for balance and height. The corner-to-corner diagonals cross near his belt buckle at address and give a fixed depth scaffold.
  • Depth rays: the mat edges extended to the horizon. Only one alignment stick was on the mat, so there is no second-stick vanishing point. Anything moving along these rays is moving toward the target, not sideways.
  • Address references: the white line is the cap line (head height), the orange dashed line is waist height, and the dashed light-blue lines mark shoulder and knee height at address. The dashed red tush line is the back of the hips at address. The red trail is the head path and the yellow trail is the hands' path.
  • Rotation: hip and shoulder turn are visual estimates from the frames (about ±10–15°). X-factor is the shoulder turn minus the hip turn at the top.
  • Tracking: body points were tracked automatically on 269 frames from 0.8 s, then checked by eye at each key position. The camera stayed still: the background moved less than 0.2 px.

5 Swing sequence

Nine key positions, filmed down-the-line from behind the hands, slightly elevated. The target is along the line of the mat edges.

Photo 1 · Addresst 4.23s · frame 103
Photo 2 · Takeawayt 4.57s · frame 113
Photo 3 · Lead arm parallelt 4.63s · frame 115
Photo 4 · Topt 4.87s · frame 122
Photo 5 · Arm parallel (down)t 4.97s · frame 125
Photo 6 · Deliveryt 5.00s · frame 126
Photo 7 · Impactt 5.07s · frame 128
Photo 8 · Releaset 5.17s · frame 131
Photo 9 · Finisht 6.07s · frame 158

Photos are numbered in the order they happen in the swing. The frames follow the standard swing positions.

6 Position-by-position biomechanics

Photo 1 — Address Good

  • Address (frame 103, 4.23 s): the cap line, waist line and tush line are all set here, and every later number is measured from them.
  • Knees flexed, arms hanging, the ball on the mat just ahead of the single orange stick.
  • A quiet, athletic set-up that suits a wedge.

Photo 2 — Takeaway Head sinks early

  • Takeaway (frame 113, 4.57 s): the head is already about 3.8 in lower than at address and ~1.3 in toward the ball line. The backswing started at frame 107, so the sinking happens in the first moves.
  • Hips barely move (0.3 in back, 0.3 in up). The hands are 5.9 in from their address spot.
  • Club and arms leave together, in one piece.

Photo 3 — Lead arm parallel Good width

  • Lead arm parallel (frame 115, 4.63 s): head about 4.2 in lower, ~1.6 in toward the ball line.
  • Hips hold their depth (0.4 in back), so the base doesn't sway.
  • Hands are 13.6 in from address and the shaft points steeply up.

Photo 4 — Top Full turn

  • Top (frame 122, 4.87 s): shoulders turned about 85° and hips about 40°, so an X-factor of ~45° (±10–15°).
  • Head about 3.5 in lower, the steadiest it is in the whole swing, and ~2.0 in toward the ball line.
  • A high-hands top again, as in the earlier wedge reports. Hips are 0.4 in back and 0.2 in up.

Photo 5 — Arm parallel (down) Good

  • Arm parallel, down (frame 125, 4.97 s): the hips are back at their address depth (0.0 in) and the head is steady at 3.6 in lower.
  • Hands are 12.7 in from address and dropping toward the ball, with only 0.1 s since the top.

Photo 6 — Delivery Solid

  • Delivery (frame 126, 5.00 s): hands are 5.8 in from their address spot and closing fast.
  • Hips are 0.2 in toward the ball and starting to lift (0.9 in up). This is where the rise begins.

Photo 7 — Impact Watch the head

  • Impact (frame 128, 5.07 s): hands return to within 0.4 in of their address spot, which is Good.
  • Head is 4.0 in lower than at address (Watch) and 1.6 in toward the ball line (Good).
  • Hips stay on the tush line (0.1 in gap, Good) but rise 1.2 in (Watch). Hips are about 35° open and shoulders about 15° open.

Photo 8 — Release Good extension

  • Release (frame 131, 5.17 s): both arms extend and the chest keeps turning.
  • Head about 4.6 in lower and hips settle back (0.7 in up, 0.2 in back), so the posture is kept through the ball.

Photo 9 — Finish Excellent

  • Finish (frame 158, 6.07 s): tall and balanced on the lead leg, trail foot up on its toe, belt buckle to the target.
  • Head is about 3.6 in higher than at address and the hips have turned about 2.9 in toward the ball line. Held, as in every report.

Overlay — head at address, top and impact

Measure (vs address)TopImpactPW #2 (top / impact)Reading
Head, down~3.5 in~4.0 in— / ~4–5 inWatch about 3.8 in is already there at the takeaway
Head, toward the ball line~2.0 in~1.6 in— / —Good under 2 in
Hips, toward the ball−0.4 in (away)0.0 in— / —Good stays back
Rear of hips vs tush line—0.1 in— / —Good stays on the line
Hips, rise~0.2 in~1.2 in— / —Watch a small lift
Hands vs address~21.7 in~0.4 in— / —Good back to the same spot
Shoulder turn (about, ±10–15°)~85°~15° open— / —Info full turn, slightly open at impact
Hip turn (about, ±10–15°)~40°~35° open— / —Info hips clearly open at impact
X-factor (shoulder minus hip)~45°—— / —Info good coil
Tempo (back / down)~0.50 s~0.20 s~2.8:1Good 2.5:1

Depth note: from behind, the head's ~2 in shift toward the ball line is partly sideways and partly along the depth rays (toward the target), and one camera can't split the two. With only one stick on the mat there is no second-stick vanishing point, so the depth rays come from the mat edges. A face-on clip of the next swing will settle it. The logbook has no top or impact numbers for earlier wedge reports, so only the head drop is compared.

7 Where the pitching wedge sits in the bag

Club (best report)TotalCarryBall speedLaunchCurve
7-Iron · Oct 14147 yds144 yds104 mph22°0 ft
9-Iron · Oct 28117 yds116 yds92.2 mph27°6 ft left
Pitching Wedge · Oct 28 session115 yds113 yds89.2 mph28°15 ft left

Heads-up: the pitching wedge carried only 3 yards less than the 9-iron (113 vs 116) and totalled 2 yards less (115 vs 117), with about 3 mph less ball speed. Both were hit in the same session. Neighbouring clubs normally show a clear gap, so these two overlap. One swing of each is a small sample, so a few more balls will show whether the overlap is real. The 8-iron, sand wedge and lob wedge have no reports yet, so the short-game gaps are still open.

8 Diagnosis

  1. Ball speed is a strength: 89.2 mph is above the LPGA average (86 mph) and the carry (113 yds) beats the LPGA 107 yds, while the flight is high (28° launch, 26-yd apex) and soft (47° landing).
  2. Hips and hands are reliable: the hips stay on the tush line (0.1 in), they don't move toward the ball (0.0 in), and the hands return to within 0.4 in of address.
  3. The head sits about 4 in lower than at address (Watch). Most of it is there by the takeaway (3.8 in) and then it stays within about 1 in, so it looks like a posture settling in rather than a dip during the swing.
  4. The hips rise about 1.2 in by impact (Watch), starting at delivery, then settle back by the release (0.7 in).
  5. Coil is good: about 85° of shoulder turn against about 40° of hip turn gives an X-factor of ~45°. At impact the hips are about 35° open and the shoulders about 15° open, so the hips lead the shoulders by roughly 20° (±10–15°).
  6. The ball curved 15 ft left. Without ball tracking or spin on the screen, path and face can't be split.
  7. Tempo 2.5:1 is in the good band and the downswing is the quickest of the three wedge reports. The 9-iron overlap in distance is worth a look in the next session.

Confidence: high on ball flight (range screen, though some labels are hidden by glare) and on tempo (measured frame by frame, ±0.03 s); moderate on head and hip distances (grid scaled from the 4 x 4 ft mat, ±1 inch); moderate-low on rotation angles (visual estimate, about ±10–15°); low on the toward-ball vs toward-target split (needs a second angle); club speed is estimated.

9 Next steps — keep it simple

Priority 1 · Hold head height

Cap-on-the-line check

Same camera spot. Settle into the posture first, then keep the top of the cap on the white line until the ball is gone, for 10 balls.

Feel: "chest over the ball, knees keep their flex." This tackles the ~4 in head drop at the takeaway.

Priority 2 · Stay in posture

Back-pockets check

Hit 5 balls with the feeling that the back pockets stay on the red tush line and the belt buckle turns, without standing up.

A hips rise of 1.2 in becomes under 1 in when the knees keep their flex.

Gap check

9-iron and wedge side by side

Hit 5 pitching wedges and 5 9-irons in the same session and read the carry for each.

One swing of each showed only a 3-yard carry gap. A longer sample shows whether the gap is real.

Keep · Rhythm and hands

Same 2.5:1 count

Count "back-2-3, down" and keep the same quick, smooth downswing and the hands returning to the address spot.

Hands within 0.4 in and a good tempo are the base to build on.

10 Limitations & next capture

Next capture: Next capture, to sharpen the reference frame: (1) the same down-the-line spot, with two alignment sticks and a feet line on the mat so the depth rays are exact, (2) a face-on clip at chest height, (3) slow motion (120 or 240 fps) so the ball start direction can be measured, (4) 3–5 balls for an average, and (5) André's height, to lock the grid scale.